No Divã do Dr. Kurtzman
CANAL BRASIL | SEASON 3
Role : Art Director and Set Decorator
Direction: Matheus Parizi e Bruno Kott
Production : Iatus Artes
This is a talk show on Canal Brasil that mixes fiction and reality through interviews conducted by the eccentric fictional character Dr. Kurtzman, which are also a strange and funny therapy session.
This season, the character welcomed important Brazilian personalities into his own home, which is for sale because the matriarch moved to Israel with her new boyfriend.
No Divã do Dr. Kurtzman
CANAL BRASIL | SEASON 3
Role : Art Director and Set Decorator
Direction: Matheus Parizi e Bruno Kott
Production : Iatus Artes
This is a talk show on Canal Brasil that mixes fiction and reality through interviews conducted by the eccentric fictional character Dr. Kurtzman, which are also a strange and funny therapy session.
This season, the character welcomed important Brazilian personalities into his own home, which is for sale because the matriarch moved to Israel with her new boyfriend.
No Divã do Dr. Kurtzman
CANAL BRASIL | SEASON 3
Role : Art Director and Set Decorator
Direction: Matheus Parizi e Bruno Kott
Production : Iatus Artes
This is a talk show on Canal Brasil that mixes fiction and reality through interviews conducted by the eccentric fictional character Dr. Kurtzman, which are also a strange and funny therapy session.
This season, the character welcomed important Brazilian personalities into his own home, which is for sale because the matriarch moved to Israel with her new boyfriend.
THE PROJECT
THE PROJECT
To create this set, it was necessary to incorporate many interesting elements that told the story of a family home for sale. We took everything from stuffed piranhas to pairs of old skis and musical instruments, creating an intriguing and eccentric narrative about the family.
The interaction with the set was essential, as during the interviews, the character also tried to sell some of these pieces or even used them during his therapy sessions with the guests. The richness of details and careful design of this environment significantly contributed to the narrative of the interviews.
To create this set, it was necessary to incorporate many interesting elements that told the story of a family home for sale. We took everything from stuffed piranhas to pairs of old skis and musical instruments, creating an intriguing and eccentric narrative about the family.
The interaction with the set was essential, as during the interviews, the character also tried to sell some of these pieces or even used them during his therapy sessions with the guests. The richness of details and careful design of this environment significantly contributed to the narrative of the interviews.
More Works More Works
More Works More Works
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