3% | Season 4

NETFLIX | SEASON 4
Role : Set Decorator and Props Producer
Art Director : Fernando Zuccolotto
Production : Boutique Filmes

In this final season of the 3% series, we had the great responsibility of ending this iconic Brazilian Netflix production.

Client

netflix

Year

2019

role

set decorator / props

3% | Season 4

NETFLIX | SEASON 4
Role : Set Decorator and Props Producer
Art Director : Fernando Zuccolotto
Production : Boutique Filmes

In this final season of the 3% series, we had the great responsibility of ending this iconic Brazilian Netflix production.

Client

netflix

Year

2019

role

set decorator / props

3% | Season 4

NETFLIX | SEASON 4
Role : Set Decorator and Props Producer
Art Director : Fernando Zuccolotto
Production : Boutique Filmes

In this final season of the 3% series, we had the great responsibility of ending this iconic Brazilian Netflix production.

Client

netflix

Year

2019

role

set decorator / props

the project

the project

To tell this story, we revisited all the universes from previous seasons. We built sets for Concha, incorporating elements and props inspired by Brazilian artistry. Many crucial scenarios were set in Maralto, with a decor that illustrates the exuberant and highly technological lives of the few who live there. Another prominent universe was Continente, where we set up grand sets that portray the resilience and hope of those who survive amidst scrap and destruction, highlighting the potential for a new beginning in this place. We also created scenarios for the Process, with a colder and more impersonal technological aesthetic.

The Set Decoration work was essential, creating crucial scenarios for the outcome of this story in various locations across Brazil and building others from scratch in studios.

To tell this story, we revisited all the universes from previous seasons. We built sets for Concha, incorporating elements and props inspired by Brazilian artistry. Many crucial scenarios were set in Maralto, with a decor that illustrates the exuberant and highly technological lives of the few who live there. Another prominent universe was Continente, where we set up grand sets that portray the resilience and hope of those who survive amidst scrap and destruction, highlighting the potential for a new beginning in this place. We also created scenarios for the Process, with a colder and more impersonal technological aesthetic.

The Set Decoration work was essential, creating crucial scenarios for the outcome of this story in various locations across Brazil and building others from scratch in studios.

camila f.

camila f.

camila f.